Effects of Tibetan singing bowl – Singing bowls of high quality produce complex and harmonic overtones. When struck with a soft mallet, they produce the tone of a warm bell. In Asian countries where Buddhist religion is practiced, during prayers, the sounds they produce are meant to induce hypnotic meditative trance and are believed to be a method to get blessings from the spiritual world.

Nowadays, they are used all over the world irrespective of the spiritual traditions as a part of alternative health care therapies, meditation, relaxation and religious purposes. They are also used in music therapy, yoga, for performance and simply for entertainment purposes. History suggests they were traditionally made in Tibet, Japan, China, India, Korea and Nepal. Presently, they are made in Korea, Japan, India and Nepal.

Rare & Antique Tibetan Singing Bowls

Buddhists in China, Japan and Vietnam prefer to use the singing bowl while chanting when the bowl is struck at the singing of a hymn or mantra. They also signal changes in activity or just mark the elapsed time. Their use in Tibetan culture has the support of various folklores, which describe them as magical tools to transform the matter and self..

Some singing bowls are made from quartz and crystal. But the authentic Tibetan one which the purists consider as the only true singing bowls are made of alloys consisting of several metals are multi-phonic as each metal generates its own harmonic tone, simultaneously resulting in multiple harmonic tones. New bowls of high quality bronze have this property but most new bowls are made of simpler alloys that produce just one or two overtones. The sound improves as the bowls age. This is the reason why new bowls don’t sound as warm as the antiques.

Antique Tibetan singing bowls were made of an alloy of five metals usually bronze, tin, copper, zinc and iron. I have heard of the even rarer Seven Metals singing bowls of Tibet but I need to research more them. Many antiques made from gold, silver and nickel have also been found. The traditional manufacturing techniques are lost but people making new hand-hammered bowls using the traditions are still found in places like the hidden corners of Nepal. The antique singing bowls feature decorative circles, lines and rings that are engraved onto the surface.

The west is yet to explore them because the written and oral traditions of the Himalayan region are mostly beyond the knowledge of the west. Several statues and paintings have been found in the Himalayan region, which depict the use of these bowls. The private collections of a few people have singing bowls dating to 10th and 12th centuries.

The tradition is believed to suggest the existence of these bowls to be older than these centuries. A few bronze bells have been discovered in Asia, which date back to 8th and 10th centuries BCE. The popularity of these rare Tibetan singing bowls as a collector’s item has increased manifold. The popularity is due to the brilliant craftsmanship and the hypnotic sound effect they produce.